JIMMIE DURHAM

JIMMIE DURHAM

Houston, 1940
Degrees:
1968,  University of Texas at Austin
1972, Gineve, Switzerland, L’École des Beaux-Arts
Currently Lives and Works in Neaples

Cherokee, born in Arkansas in 1940. Visual artist, sculptor, but also essayist and poet. In the ’70s he was a prominent political activist in the American Indian Movement. He creates bizarre objects, assemblages and installations. His works often start from found objects usually from waste) that, by contrasting architecture, monumentality and narratives of national identities and histories, deconstruct and undermine the stereotypes and prejudices of Western culture.

Artworks:

Featured Exhibition:
Jimmie Durham: At the Center of the World, Remai Modern, Saskatoon, Canada (2018), Hammer Museum, Los Angeles (2017-2018), Whitney Museum of American Art, New York (2017), The Walker Art Center, Minneapolis, United States (2017); Evidence, Mönchehaus Museum Goslar, Germany (2017); Jimmie Durham: God’s Children, God’s Poem, Migros Museum für Gegenwartskunst, Zürich, Switzerland (2017); Jimmie Durham. Sound and Silliness, MAXXI Museo nazionale delle arti del XXI secolo, Rome (2016); Jimmie Durham: Various Items and Complaints, Serpentine Gallery, London (2015); Venice: Objects, Work and Tourism, Museo della Fondazione Querini Stampalia, Venice (2015); Jimmie Durham, Here at the Center, Neuer Berliner Kunstverein (n.b.k.), Berlin (2015); Traces and Shiny Evidence, Parasol unit foundation for contemporary art, London (2014); A Machine Needs Instructions As a Garden Needs Discipline, MARCO Museo de Arte Contemporánea de Vigo, Spain (2013); A Matter of Life and Death and Singing, M HKA- Museum of Contemporary Art Antwerp, Belgium (2012); Jimmie Durham, Fondazione Morra Greco, Naples, Italy (2012); Rocks Encouraged, Portikus, Frankfurt, Germany (2010); Pierres rejetées…, Musée d’Art moderne de la Ville de Paris (2009); Jimmie Durham, Madre · museo d’arte contemporanea Donnaregina, Naples, Italy (2008); Jimmie Durham: Essence, de Pury & Luxembourg (Phillips), Zurich, Switzerland (2007); The Imaginary Number, KW Institute for Contemporary Art, Berlin (2006); From the West Pacific to the East Atlantic, Musée d’Art Contemporain [mac], Marseille, France (2003); Between the Furniture and the Building (Between a Rock and a Hard Place), Kunstverein München, Munich, Germany (1998); The Center of the World, Vleeshal Center for Contemporary Art, Middelburg, The Netherlands (1995); Original Re-Runs, BOZAR – Palais des Beaux-Arts, Brussels, Belgium (1993).

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